Intermediate Photoshop CC

Intermediate Photoshop CC

Take a giant leap forward in the way you creatively and productively use Photoshop. This course explores the more advanced features of Photoshop CC including layers, layer masks, Smart Objects, and others that let you re-edit images and create templates that you can edit and use again and again.
6 weeks / 24 Course Hrs
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  • Details
  • Syllabus
  • Requirements
  • Instructor

Details

Photoshop is the world's most popular photo-editing program. It's a fun and creative way to alter photographs and prepare them for print or the Web. If you're already familiar with Photoshop, this course will help you explore the program's more advanced features.

Whether you want to use Photoshop to edit photos, design scrapbook pages, or do original artwork, this class will give you the building blocks you need. You'll take a giant leap forward in creativity and productivity—and you'll also have a lot of fun!

Enrollment Options:
Instructor-Led
6 weeks Access Course Code: ncc
Start Dates*Nov 13 | Dec 11 | Jan 15 | Feb 12
*Choose start date in cart
$109.00

Syllabus

In this lesson, you'll create, view, and hide layers. Why do layers matter? Well, they open a world of opportunities for fine-tuning your images. You can edit a layered image nondestructively, so you don't have to start over if you make a mistake or need to change something.

Today you'll focus on the clues Photoshop gives to explain exactly what you're doing to a layer as you're working. You'll create, move, duplicate, lock, unlock, cut, and paste layers. Knowing this information will let you alter images quickly and nondestructively, and the lock commands will help you prevent others (and you!) from accidentally altering your work.

Take advantage of Smart Objects—the most awesome and significant innovation in Photoshop since the layers feature was introduced. You can place a RAW-format photo (or JPG or TIF) file inside the Smart Object and re-edit it in Camera RAW anytime you want. You'll discover how to crop and resize photos nondestructively using Smart Objects, and you'll love the way they let you make a protected package out of an image.

Today you'll see how you can make an individual layer in an image larger or smaller, rotate it, and use the amazing Warp command. And you can reverse all these changes anytime you want—if you make them on a Smart Object layer. You can even use filters nondestructively, so long as you apply them to a Smart Object (gee, those come in handy!). You'll also create a pear that, when cut open, has an orange inside it.

Each time you edit the exposure in an image, you lose image quality. But what if there were a way to edit the exposure as much as you wanted and not hurt the quality? There is! An Adjustment layer makes no permanent change to the image, and you can stack up these layers as you wish. You won't ever want to apply a regular Levels command or Adjustment command directly to an image again.

In this lesson, you'll find out about layer masks—another way that Photoshop lets you have your cake and eat it too. If you bring a picture of little Johnny onto a new background image, and you erase all the stuff that was in the background, what happens if you change your mind? You'd better hope you have the original image somewhere, and then you're in for a lot more work. However, if you use a layer mask, you'll keep every pixel that's in the original image and hide the parts of the original that you no longer wish to see.

Did the dog eat Grandmother's portrait? Or did time and water do that damage? No matter. Using layers makes it easier than ever before to restore some of your treasured family heritage. You'll get ample practice with that today. Again, the theme of this lesson is nondestructive editing, which means working in layers so that you can always change your mind about a correction without having to begin again.

What happens if you want to place a person into a swimming pool or the ocean using Photoshop? To make the composite realistic, you need to transition from total opacity above the water line to total transparency below it. You'll learn that skill today as you work with grayscale and gradient masks. You'll also experiment with vignette edges and other edge effects, plus you'll create a Web page header.

One of the most common ways to lose sleep while using Photoshop is to try to add a new background behind a model with wispy, flowing hair. Hair and fur have always been the bane of Photoshop users. Photoshop can help, however. You'll learn some new tricks today as you explore some commands on the Masks section of the Properties panel.

Have you ever wondered how to put images inside type like those old postcards for various cities? You'll find out today. It's called a clipping mask, and it's a digital version of spreading glitter onto a paper that has a design drawn in glue—the glitter only sticks to the glue. In this case, the new layers only stick to the base layer in the clipping mask. Making a clipping mask is easy, but it provides one of Photoshop's "wow" moments.

Photoshop can use the values in an image to correct the image. That sounds scary and mysterious, but it's actually easy to do. Today you'll create luminosity masks and use them to correct images and to develop false duotone images and wonderfully creative image composites. This lesson should nurture your creativity and yet give you some solid ways to add punch to an image or to create stunning sepia tones.

In this course, you've created composites in so many ways. But there's still more to learn! Today you'll create an image that has a different photo in each color channel. You'll use Content-Aware Scale to make unusual adjustments to your image size. You'll try a wonderful stained-glass framing technique. And you'll finish the course with a fun assignment that lets you put together everything you've learned.

Requirements

  • Adobe Flash Player. Click here to download the Flash Player.
  • Adobe Acrobat Reader. Click here to download the Acrobat Reader.
  • Email capabilities and access to a personal email account.

Requirements:

Hardware Requirements: 

  • This course can be taken on either a PC or Mac device.
  • For Macs, a multicore Intel processor with 64-bit support.

Software Requirements: 

  • PC: Windows XP or later.
  • Mac: OS X Snow Leopard 10.6 or later.
  • Browser: The latest version of Google Chrome or Mozilla Firefox are preferred. Microsoft Edge and Safari are also compatible.
  • Adobe Photoshop CC (not included in enrollment).
  • Adobe Creative Cloud (not included in enrollment; either the full version or the Photography special is acceptable). You may also use the 30-day free trial software provided by Adobe, but if you do, you must wait until the relevant lesson of the course to install it and actually begin to work through the course, otherwise your trial will end before the course is over.
  • Adobe Flash Player. Click here to download the Flash Player.
  • Adobe Acrobat Reader. Click here to download the Acrobat Reader.
  • Software must be installed and fully operational before the course begins.

Other:

  • Email capabilities and access to a personal email account.

Prerequisites:

Introduction to Photoshop CS3, CS4, or CS5 needs to have been completed or you need a good working knowledge of the basic tools in Photoshop and be able to make selections, use the Clone Stamp tool and Healing brushes, and do elementary color correction. You will also need to know how to create a new file folder and locate files on your hard drive.

Instructional Material Requirements:

The instructional materials required for this course are included in enrollment and will be available online.

Instructor

Sherry London is a noted Photoshop and Illustrator expert, an artist, a writer, and a teacher. Her fiber art has been featured in magazines and exhibitions. Her published works include Photoshop CS2 Gone Wild, Photoshop Magic, Photoshop Effects Magic, Photoshop In Depth, Photoshop Textures Magic, and Illustrator f/x and Design. She wrote the Tips and Tricks column for Photoshop User magazine for many years and is a two-time nominee to the Photoshop Hall of Fame. She has taught for the prestigious Thunder Lizard Photoshop Conference and the Professional Photographers of America seminars, as well as for Drexel University, Moore College of Art, and Gloucester County College. Sherry holds a Master's Degree in Information Systems and has taken doctoral-level courses in curriculum design.